Antonio Soto with his beautiful and pure bass timbre among a field where this tone is very scarce, is an important reserve for our lyric media. His "Don Pascuale" was a full success in characterization, careful work of each aria and adjust in cohesive interpretation.
"El PAIS" 7/16/1978
Antonio Soto has one of the most beautiful bass timbre ever appeared lately in Uruguay. A serious and hard study could open the doors for a important career.
"El PAIS" 1978
Since long ago, good bass voices are very scarce in our medio. That's why since his first appearance -about three years ago- we follow with particular interest Antonio Soto's career, one of the most attractive voices in his line that have raised in Uruguay since long time...
"El PAIS" 11/04/1980
... In this occasion, the bass Antonio Soto portrayed Jocopo Fiesco, the noble Genoese, replacing. Soto has the obvious advantage of a really noble presence and a very big voice that spreads all over the theatre allowing the severe and vengative character, all the powerful that Verdi request for him and that shows normally in the best recording such as...
"El PAIS" 11/1988
... Young bass Antonio Soto has the ideal physique to perform a Don Juan of imperative and overbeating presence...
the character has an impetuous virility and light displacement activities by no means conventional through the most fascinating focus... his vocal volume is enormous and has a brilliant tone thar goes through easily in the the
... Young bass Antonio Soto has the ideal physique to perform a Don Juan of imperative and overbeating presence...
the character has an impetuous virility and light displacement activities by no means conventional through the most fascinating focus... his vocal volume is enormous and has a brilliant tone thar goes through easily in the theatre. His wealthy voice allows him to face the wildest orchestra passages without being buried.
'El PAIS" 8/27/1987
Antonio Soto attains to recover almost all the impact of his tremendous voice. He played with more reliance and ease, underlying the sarcastic character of Mephistopheles and he was really good in his exalted demand to pleasure, during the kermesses of the first act.
"El PAIS" 6/1988
Antonio Soto obtained the most absurdity nonsense for Don Basilio with a powerful utter smooth voice. He obtained the the largest ovation of the night the famous aria.
" la Columna"
"La Mañana" 6/3/1987
... Bass Antonio Soto has a splendid vocal material, good presence and youth. He can modulate in tune and expressiveness having all that's necessary to be used in his career. He has also great dramatic power for convincing he used for the arias from "Don Carlo" and Attilia", obtaining some really anthological moments. He is also good in a
... Bass Antonio Soto has a splendid vocal material, good presence and youth. He can modulate in tune and expressiveness having all that's necessary to be used in his career. He has also great dramatic power for convincing he used for the arias from "Don Carlo" and Attilia", obtaining some really anthological moments. He is also good in acting, and in "Don Pasquale" as in "Figaro", he went through the psychology of the character accomplishing it entirety, with great enthusiasm of the public.
"La Mañana" 9/8/1985
...Although it is worth highlighting the hilarious seriousness of Antonio Soto in his role as Tito Merelli. This actor, of whom I have no record, is a prodigy of beauty, voice, facial mask and musical qualities, almost complete, in a first-rate performance.
"La Manana" July/1990
The role of Mefistofeles was produced by Antonio Soto with his remarquable voice. Physically his presence is impressionable and seams to fill the entire stage...
"LA SEMANA" July/1988
Antonio Soto did the most refoicing "Don Basilio", with very effective voice and gestures; an excellent facing to the character.
"LA SEMANA" de "El Dia" 6/11/1986
Antonio Soto faced the role of the Comendador, with the required authority and his bass voice fits perfectly the personage.
"LA BUSQUEDA" 8/1987
Antonio Soto as Mefistofeles fulfilled his role with great dignity. A performance where his vocal conditions, musicality and courage show plainly...
"LAS ULTIMAS NOTICIAS" 6/28/88
Antonio Soto deserves a warm applause for his Angelotti. We could appreciate in him, an excellent bass voice of good power and emission...
"LAS ULTIMAS NOTICIAS"
Santiago de Chile 4/6/1988
... The Uruguayan Antonio Soto raised his Angelotti with the most skillful conjunction of singer and interpreter...
"LA NACION"
Santiago de Chile 2/6/1988
...His Mefisto was well worked for the stage with good singing (about the best we have heard of him) however his illness, with his lower register of neat pure bass as may be few in the whole world (it is not the same a Baritone that can reach the low tines though it can substitute, and almost always effectively substitute the bass) ...He
...His Mefisto was well worked for the stage with good singing (about the best we have heard of him) however his illness, with his lower register of neat pure bass as may be few in the whole world (it is not the same a Baritone that can reach the low tines though it can substitute, and almost always effectively substitute the bass) ...He is in the matureness of his career and deserves more opportunities out of the ones Montevideo can offer him).
"LA BUSQUEDA" 7/7/1988
Antonio Soto as Ferrando, show to be excellent, raising his part at the best and showing his vocal conditions at the scene of the beginning.
"LA EPOCA" Santiago de Chile 4/6/1980
Antonio Soto showed to be a powerful bass of great quality...
"LA EPOCA" Santiago de Chile 4/6/1988
...Story of the success 20 years ago to the count. He is convincing in his job, either in the vocal aspect, where he shows a particular register, as in the acting, where he shows good presence.
"LA SEGUNDA" Santiago de Chile 4/6/1980
Copyright © 2024 Antonio Soto Lyric-bass - All Rights Reserved.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.